MUME 2016

4th International Workshop on Musical Metacreation (MUME 2016)

Held at the Seventh International Conference on Computational Creativity, ICCC 2016

Title: Proceedings of the 4th International Workshop on Musical Metacreation (MUME 2016)
Editors: Philippe Pasquier, Oliver Bown, Arne Eigenfeldt
Date of Release: 15 June 2016.

ISBN: 978-0-86491-397-5

Session I: Feedback/Feedforward – MuMe
Musebots at One Year: A Review – Arne Eigenfeldt
The Popular Critic: Evolving Melodies with Popularity Driven Fitness – Roisin Loughran and Michael O’Neill
The evolution of sound cells. Pivot point for the analysis and creation of musical improvisation – Sebastian Trump
 A Music-generating System Inspired by the Science of Complex Adaptive Systems – Shawn Bell and Liane Gabora
Session II: Improvisation – MuMe
factorOracle: an Extensible Max External for Investigating Applications of the Factor Oracle Automaton in Real-Time Music Improvisation – Adam Wilson
 Automatic Construction of Interactive Machine Improvisation Scenarios from Audio Recordings – Jaime Arias, Myriam Desainte-Catherine and Shlomo Dubnov
Ripples: A human-machine musical duet – Andrew Brown
Computational Model of Jam Session From Statistical Analysis of Music Rendering Features – Takeshi Hori, Kazuyuki Nakamura and Shigeki Sagayama
Learning Musical Creativity via Stochastic Transduction Grammars: Combination, Exploration and Transformation – Dekai Wu
Active Trading with Impro-Visor – Zachary Kondak, Mikayla Konst, Carli Lessard, David Siah, and Robert Keller
Session III: Generation – MuMe
Towards the Generation of Melodic Structure – Ryan Groves
A Musical Sonification of the Portuguese Epopee – Angela Coelho, Pedro Martins and Fernando Amílcar Cardoso
Building blocks of rhythmic expectation – Jay Hardesty 
Audiovisual Synthesis with ABSTRACT/CONCRETE – Victor Shepardson
Creating an image and animation based body for associative music visualization in the browser – Balazs Krich 
Session IV: Ad Infinitum
MUS-ROVER: A Self-Learning System for Musical Compositional Rules – Haizi Yu, Lav Varshney, Guy Garnett and Ranjitha Kumar
Harmonic Constellation: An Audiovisual Environment of Living Organisms –  Ana Rodrigues, Amílcar Cardoso and Penousal Machado
Towards User-Tailored Creative Applications of Concatenative Synthesis in Electronic Dance Music – Cárthach Ó Nuanáin, Sergi Jordà and Perfecto Herrera
Metrical Flux: Towards Rhythm Generation in Continuous Time – Andrew Lambert, Tillman Weyde and Newton Armstrong
Rhythm Spaces – Daniel Gómez-Marín, Sergi Jordà and Perfecto Herrera