4th International Workshop on Musical Metacreation (MUME 2016)
Held at the Seventh International Conference on Computational Creativity, ICCC 2016
Title: Proceedings of the 4th International Workshop on Musical Metacreation (MUME 2016)
Editors: Philippe Pasquier, Oliver Bown, Arne Eigenfeldt
Date of Release: 15 June 2016.
ISBN: 978-0-86491-397-5
| Introduction |
| Session I: Feedback/Feedforward – MuMe |
| Musebots at One Year: A Review – Arne Eigenfeldt |
| The Popular Critic: Evolving Melodies with Popularity Driven Fitness – Roisin Loughran and Michael O’Neill |
| The evolution of sound cells. Pivot point for the analysis and creation of musical improvisation – Sebastian Trump |
| A Music-generating System Inspired by the Science of Complex Adaptive Systems – Shawn Bell and Liane Gabora |
| Session II: Improvisation – MuMe |
| factorOracle: an Extensible Max External for Investigating Applications of the Factor Oracle Automaton in Real-Time Music Improvisation – Adam Wilson |
| Automatic Construction of Interactive Machine Improvisation Scenarios from Audio Recordings – Jaime Arias, Myriam Desainte-Catherine and Shlomo Dubnov |
| Ripples: A human-machine musical duet – Andrew Brown |
| Computational Model of Jam Session From Statistical Analysis of Music Rendering Features – Takeshi Hori, Kazuyuki Nakamura and Shigeki Sagayama |
| Learning Musical Creativity via Stochastic Transduction Grammars: Combination, Exploration and Transformation – Dekai Wu |
| Active Trading with Impro-Visor – Zachary Kondak, Mikayla Konst, Carli Lessard, David Siah, and Robert Keller |
| Session III: Generation – MuMe |
| Towards the Generation of Melodic Structure – Ryan Groves |
| A Musical Sonification of the Portuguese Epopee – Angela Coelho, Pedro Martins and Fernando Amílcar Cardoso |
| Building blocks of rhythmic expectation – Jay Hardesty |
| Audiovisual Synthesis with ABSTRACT/CONCRETE – Victor Shepardson |
| Creating an image and animation based body for associative music visualization in the browser – Balazs Krich |
| Session IV: Ad Infinitum |
| MUS-ROVER: A Self-Learning System for Musical Compositional Rules – Haizi Yu, Lav Varshney, Guy Garnett and Ranjitha Kumar |
| Harmonic Constellation: An Audiovisual Environment of Living Organisms – Ana Rodrigues, Amílcar Cardoso and Penousal Machado |
| Towards User-Tailored Creative Applications of Concatenative Synthesis in Electronic Dance Music – Cárthach Ó Nuanáin, Sergi Jordà and Perfecto Herrera |
| Metrical Flux: Towards Rhythm Generation in Continuous Time – Andrew Lambert, Tillman Weyde and Newton Armstrong |
| Rhythm Spaces – Daniel Gómez-Marín, Sergi Jordà and Perfecto Herrera |