6th International Workshop on Musical Metacreation (MUME 2018)
Held at the Ninth International Conference on Computational Creativity, ICCC 2018
Title: Proceedings of the 6th International Workshop on Musical Metacreation (MUME 2018)
Editors: Philippe Pasquier, Oliver Bown, Arne Eigenfeldt
Date of Release: 20th June 2018..
ISBN: 978-1-77287-047-3
| Time | Duration | Content | Authors | |
|---|---|---|---|---|
| DAY I – Monday, June 25th | ||||
| 8:45 9:00 | 15 mins | Room Open | ||
| 9:00 – 10:30 am | 90 mins | Session I: MuMe at Work | Session Chair: Philippe Pasquier | |
| 15 mins | Introduction | Philippe Pasquier | ||
| 25 mins | Genetically Sonified Organisms: Environmental Listening/Sounding Agents | Doug Van Nort | ||
| 15 mins | Generating Albums with SampleRNN to Imitate Metal, Rock, and Punk Bands | Cj Carr and Zack Zukowski | ||
| 25 mins | What do these 5,599,881 parameters mean? An analysis of a specific LSTM music transcription model, starting with the 70,281 parameters of the softmax layer | Bob Sturm | ||
| 10:30 am Coffee Break | 30 mins | |||
| 11:00 – 13:00 | 120 mins | Session II: MuMe Networks | Session Chair: Gus G. Xia | |
| 25 mins | Sequence to Sequence Autoencoder for Learning Representations of Ornaments | Achyuth Samudrala | ||
| 25 mins | Real-valued parametric conditioning of an RNN for interactive sound synthesis | Lonce Wyse | ||
| 15 mins | Neurons: An Interactive Composition Using a Neural Network for Recognition of Playing Techniques | Artemi-Maria Gioti | ||
| 25 mins | An End to End Model for Automatic Music Generation: Combining Deep Raw and Symbolic Audio Networks | Rachel Manzelli, Vijay Thakkar, Ali Siahkamari and Brian Kulis | ||
| 25 mins | JazzGAN: Improvising with Generative Adversarial Networks | Nicholas Trieu and Robert Keller | ||
| 13:00 lunch break | 90 mins | |||
| 14:30-16:30 | 120 mins | Session III: Musically-Aware Machines | Session Chair: Rober Keller | |
| 25 mins | Experiments on collective decision-making and musical metacreative performances with audience participation | Marcelo Gimenes | ||
| 15 mins | Navigating Outcomes of Rhythmic Anticipation | Jay Hardesty | ||
| 25 mins | Comparative Analysis of Key Inference Models for Musical Metacreation | Paul Bodily and Dan Ventura | ||
| 15 mins | From Motion to Musical Gesture: Experiments with Machine Learning in Computer-Aided Composition | Jean Bresson, Paul Best, Diemo Schwarz and Alireza Farhang | ||
| 25 mins | Back to the experiences: Empirically grounding the development of musical co-creative partners in co-experiences | Prashanth Ravikumar, Kevin McGee and Lonce Wyse | ||
| 16:30 Coffee Break | 30 mins | |||
| 17:00-19:00 | 120 mins | Session IV: MetaMuMe | Session Chair: Bob Sturm | |
| 25 mins | Algorithmic Audio Mashups and Synthetic Soundscapes Employing Evolvable Media Repositories | Marinos Koutsomichalis and Björn Gambäck | ||
| 25 mins | Music Style Transfer: A Position Paper | Gus G. Xia and Shuqi Dai | ||
| 25 mins | Musical Metacreation: Past, Present, and Future | Paul Bodily and Dan Ventura | ||
| 5 mins | Wrap up | Philippe Pasquier | ||
| DAY II – Tuesday, June 26th | ||||
| 9:00- 10:30 | 120 mins | Session V: Panel discussion with the MUME concert artists | Session Chair: Philippe Pasquier | |
| 20 mins | Mume Outro and discussion on the Future of MUME | |||
| 13:00 Lunch break | ||||
| 10:30 am Coffee break | 30 mins | |||
| 11:00-13:00 | 90 mins | Session VI: MuMe Over | Session Chair: Doug Van Nort | |
| 25 mins | Towards an Automatic Detection of Rhetorical Patterns in the Renaissance Polyphonic Music | Víctor Padilla, Manuel Tizón, Francisco Gómez, Manuel Espigares and Edith Alonso | ||
| 35 mins | Informal Demos | |||