6th International Workshop on Musical Metacreation
University of Salamanca, Salamanca, Spain, June 25-26, 2018.
Title: Proceedings of the 6th International Workshop on Musical Metacreation (MUME 2018)
Editors: Philippe Pasquier, Oliver Bown, Arne Eigenfeldt
Date of Release: 20-06-2018
ISBN: 978-1-77287-047-3
| Publications |
Authors |
| Session I: MuMe at Work |
| Genetically Sonified Organisms: Environmental Listening/Sounding Agents |
Doug Van Nort |
| Generating Albums with SampleRNN to Imitate Metal, Rock, and Punk Bands |
Cj Carr and Zack Zukowski |
| What do these 5,599,881 parameters mean? An analysis of a specific LSTM music transcription model, starting with the 70,281 parameters of the softmax layer |
Bob Sturm |
| Session II: MuMe Networks |
| Sequence to Sequence Autoencoder for Learning Representations of Ornaments |
Achyuth Samudrala |
| Real-valued parametric conditioning of an RNN for interactive sound synthesis |
Lonce Wyse |
| Neurons: An Interactive Composition Using a Neural Network for Recognition of Playing Techniques |
Artemi-Maria Gioti |
| An End to End Model for Automatic Music Generation: Combining Deep Raw and Symbolic Audio Networks |
Rachel Manzelli, Vijay Thakkar, Ali Siahkamari and Brian Kulis |
| JazzGAN: Improvising with Generative Adversarial Networks |
Nicholas Trieu and Robert Keller — BEST PAPER AWARD
|
| Session III: Musically-Aware Machines |
| Experiments on collective decision-making and musical metacreative performances with audience participation |
Marcelo Gimenes |
| Navigating Outcomes of Rhythmic Anticipation |
Jay Hardesty |
| Comparative Analysis of Key Inference Models for Musical Metacreation |
Paul Bodily and Dan Ventura |
| From Motion to Musical Gesture: Experiments with Machine Learning in Computer-Aided Composition |
Jean Bresson, Paul Best, Diemo Schwarz and Alireza Farhang |
| Back to the experiences: Empirically grounding the development of musical co-creative partners in co-experiences |
Prashanth Ravikumar, Kevin McGee and Lonce Wyse |
| Session IV: MetaMuMe |
| Algorithmic Audio Mashups and Synthetic Soundscapes Employing Evolvable Media Repositories |
Marinos Koutsomichalis and Björn Gambäck |
| Music Style Transfer: A Position Paper |
Gus G. Xia and Shuqi Dai |
| Musical Metacreation: Past, Present, and Future |
Paul Bodily and Dan Ventura |
| Session V: MuMe Over |
| Towards an Automatic Detection of Rhetorical Patterns in the Renaissance Polyphonic Music |
Víctor Padilla, Manuel Tizón, Francisco Gómez, Manuel Espigares and Edith Alonso |