Program
3rd International Workshop on Musical Metacreation (MUME 2014)
Held at the Tenth AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment (AIIDE’14)
North Carolina State University, Raleigh, North Carolina, October 4, 2014
MUME 2014
| 9:00-9:30 | Introduction | |
| 9:30-10:30 | Session I: Connexionist MUME Chair: Andie Sigler | |
| 9:30-9:55 | Dividing the Labor in a hierarchical System for autonomous musical Creation (Position Paper) M. Anthony Reimer and Guy E. Garnett | |
| 9:55-10:30 | Studying the Effect of Metre Perception on Rhythm and Melody Modelling with LSTMs (Technical Paper) Andrew Lambert, Tillman Weyde and Newton Armstrong | |
| 10:30-11:00 | Coffee Break #1 (provided by AAAI) | |
| 11:00-12:30 | Session II: MUME Agents Chair: Arne Eigenfeldt | |
| 11:00-11:35 | Guided Music Synthesis with Variable Markov Oracle (Technical Paper) Cheng-I Wang and Shlomo Dubnov | |
| 11:35-12:00 | Ferin Martino: A Small Piano Algorithm and Its Lessons on Creativity, Interaction, and Expression (Position Paper) Jeffrey Morris | |
| 12:00-12:25 | Motivation, Microdrives and Microgoals in Mockingbird (Position Paper) Michael Lynch | |
| 12:30-1:30 | Lunch Break (not provided) | |
| 1:30-3:30 | Session III: Topics in MUME Chair: Philippe Pasquier | |
| 1:30-2:05 | Generating Structure – Towards Large-scale Formal Generation (Technical Paper) Arne Eigenfeldt | |
| 2:05-2:40 | Artik: Articulation and Dynamics from Structural Pattern Analysis (Technical Paper) Eliot Handelman and Andie Sigler |
|
| 2:40-3:05 | Genomic: Combining Genetic Algorithms and Corpora to Evolve Sound Treatments (Position Paper) Thomas Stoll | |
| 3:05-3:30 | A Genetically Generated Drone A/V Composition Using Video Analysis as a Disturbance Factor to the Fitness Function (Position Paper) Tristan Mcguire and Giuseppe Torre | |
| 3:30-4:00 | Coffee Break #2 (provided by AAAI) | |
| 4:00-5:30 | Session IV: Reflexion on MUME Chair: Cheng-I Wang | |
| 4:00-4:25 | Implications of Ad Hoc Artificial Intelligence in Music (Position Paper) Evan Merz | |
| 4:30-5:30 | Panel on MUME methodologies Chair: Andrew Lambert | |
| 5:30-6:00 | Wrap Up | |
| 6:00 | End of Workshop | |
| 8:00 | MUME Dinner (Location to be Announced) | |
Accepted Papers
Position Papers
M. Anthony Reimer and Guy E. Garnett.
Dividing the Labor in a hierarchical System for autonomous musical Creation
Jeffrey Morris
Ferin Martino: A Small Piano Algorithm and Its Lessons on Creativity, Interaction, and Expression
Michael Lynch
Motivation, Microdrives and Microgoals in Mockingbird
Thomas Stoll
Genomic: Combining Genetic Algorithms and Corpora to Evolve Sound Treatments
Tristan Mcguire and Giuseppe Torre
A Genetically Generated Drone A/V Composition Using Video Analysis as a Disturbance Factor to the Fitness Function
Evan Merz
Implications of Ad Hoc Artificial Intelligence in Music
Technical Papers
Andrew Lambert, Tillman Weyde and Newton Armstrong
Studying the Effect of Metre Perception on Rhythm and Melody Modelling with LSTMs
Cheng-I Wang and Shlomo Dubnov.
Guided Music Synthesis with Variable Markov Oracle
Arne Eigenfeldt
Generating Structure – Towards Large-scale Formal Generation
Eliot Handelman and Andie Sigler
Artik: Articulation and Dynamics from Structural Pattern Analysis