Program

Program

3rd International Workshop on Musical Metacreation (MUME 2014)

Held at the Tenth AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment (AIIDE’14)

North Carolina State University, Raleigh, North Carolina, October 4, 2014

MUME 2014

9:00-9:30 Introduction
9:30-10:30 Session I: Connexionist MUME  Chair: Andie Sigler
9:30-9:55 Dividing the Labor in a hierarchical System for autonomous musical Creation (Position Paper)  M. Anthony Reimer and Guy E. Garnett
9:55-10:30 Studying the Effect of Metre Perception on Rhythm and Melody Modelling with LSTMs (Technical Paper)  Andrew Lambert, Tillman Weyde and Newton Armstrong
10:30-11:00 Coffee Break #1 (provided by AAAI)
11:00-12:30 Session II: MUME Agents Chair: Arne Eigenfeldt
11:00-11:35 Guided Music Synthesis with Variable Markov Oracle (Technical Paper) Cheng-I Wang and Shlomo Dubnov
11:35-12:00 Ferin Martino: A Small Piano Algorithm and Its Lessons on Creativity, Interaction, and Expression (Position Paper) Jeffrey Morris
12:00-12:25 Motivation, Microdrives and Microgoals in Mockingbird (Position Paper) Michael Lynch
12:30-1:30 Lunch Break (not provided)
1:30-3:30 Session III: Topics in MUME  Chair: Philippe Pasquier
1:30-2:05 Generating Structure – Towards Large-scale Formal Generation (Technical Paper)  Arne Eigenfeldt
2:05-2:40 Artik: Articulation and Dynamics from Structural Pattern Analysis (Technical Paper)
Eliot Handelman and Andie Sigler
2:40-3:05 Genomic: Combining Genetic Algorithms and Corpora to Evolve Sound Treatments  (Position Paper) Thomas Stoll
3:05-3:30 A Genetically Generated Drone A/V Composition Using Video Analysis as a Disturbance Factor to the Fitness Function (Position Paper) Tristan Mcguire and Giuseppe Torre
3:30-4:00 Coffee Break #2 (provided by AAAI)
4:00-5:30 Session IV: Reflexion on MUME Chair: Cheng-I Wang
4:00-4:25 Implications of Ad Hoc Artificial Intelligence in Music (Position Paper) Evan Merz
4:30-5:30 Panel on MUME methodologies Chair: Andrew Lambert
5:30-6:00 Wrap Up
6:00 End of Workshop
8:00 MUME Dinner (Location to be Announced)

Accepted Papers

Position Papers

M. Anthony Reimer and Guy E. Garnett.
Dividing the Labor in a hierarchical System for autonomous musical Creation

Jeffrey Morris
Ferin Martino: A Small Piano Algorithm and Its Lessons on Creativity, Interaction, and Expression

Michael Lynch
Motivation, Microdrives and Microgoals in Mockingbird

Thomas Stoll
Genomic: Combining Genetic Algorithms and Corpora to Evolve Sound Treatments

Tristan Mcguire and Giuseppe Torre
A Genetically Generated Drone A/V Composition Using Video Analysis as a Disturbance Factor to the Fitness Function

Evan Merz
Implications of Ad Hoc Artificial Intelligence in Music

Technical Papers

Andrew Lambert, Tillman Weyde and Newton Armstrong
Studying the Effect of Metre Perception on Rhythm and Melody Modelling with LSTMs

Cheng-I Wang and Shlomo Dubnov.
Guided Music Synthesis with Variable Markov Oracle

Arne Eigenfeldt
Generating Structure – Towards Large-scale Formal Generation

Eliot Handelman and Andie Sigler
Artik: Articulation and Dynamics from Structural Pattern Analysis

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